PUBLIC OUTREACH ARCHIVES
EXHIBITIONS
Selected Exhibitions by the Atomic Photographers Guild. This list does not include solo or group exhibitions independently presented by members, which may be found by searching individual member profiles.
2024 | Plutonium & Silver: The Atomic Photographers Guild | Imaging the Nuclear Condition Black Box Studio, Cineworks Independent Filmmakers Society, Vancouver, BC, Canada Presenting in conjunction with the International Uranium Film Festival Curator: Jesse Andrewartha |
2019 | Nuclear Visions: The Atomic Photographers Guild John and June Allcott Gallery, Chapel Hill, University of North Carolina Curators: elin o’Hara slavick and Robert Del Tredici |
2015 | Behind the Atom Curtain: Life and Death in the Nuclear Age National Labour Party Conference Fringe Program, Melbourne Convention Centre Melbourne, Australia |
2015 | Atomic Photographers Guild Hiroshima Bank, Hiroshima, Japan |
2015 | Hiroshima-Nagasaki: Seventy Years Beyond the Bombings University of Missouri-Kansas City (UMKC) “Photos of the Nuclear Age,” presented by Robert Del Tredici, October 4, 2015, Pierson Auditorium in the UMKC Atterbury Student Success Center |
2015 | Nuclear Photographs Uranium Film Festival, Quebec, Canada |
2012 | Behind the Atom Curtain: Life and Death in the Nuclear Age The Good Shepherd Center, Seattle, WA, USA |
2012 | Behind the Atom Curtain: Life and Death in the Nuclear Age The Rocky Flats Cold War Museum, Arvada, CO, USA |
2012 | Behind the Atom Curtain: Life and Death in the Nuclear Age 2012 International Uranium Film Festival, Museum of Modern Art Rio De Janeiro, Brazil |
2012 | Behind the Atom Curtain: Life and Death in the Nuclear Age A monumental showcase of photography by over sixty photographers from fifteen countries at the Midland Railway Workshops, Perth, Western Australia |
2011 | Behind the Atom Curtain: Life and Death in the Nuclear Age Sala Terrena, Heiligenkreuzehof, Vienna |
2011 | Behind the Atom Curtain: Life and Death in the Nuclear Age Sol Mednick Gallery, University of the Arts, Philadelphia, PA, USA Curators: Robert Del Tredici | Harris Fogel |
2010 | The Face of the Nuclear Age Nuclear Free Future Awards, Great Hall of Cooper Union, New York, NY, USA |
2010 | The Bomb Among Us International Physicians for the Prevention of Nuclear War World Congress Kollegienhaus, University of Basel, Switzerland Curator: Robert Del Tredici |
2006 | Nuclear Time Bomb: 20 Years After Chernobyl and the Atomic Photographers Guild International Physicians for the Prevention of Nuclear War World Congress Friedenskooperative, Bonn, Germany Curator: Robert Del Tredici |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era Museum London, London, Canada Curator: Robert Del Tredici |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era Anna Leonowens Gallery, Nova Scotia College of Art and Design, Halifax, Canada Curator: Robert Del Tredici |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era Diefenbunker: Canada’s Cold War Museum, Carp, Canada Curator: Robert Del Tredici |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era The Art Gallery of Peterborough, Peterborough, Canada |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era The Toronto Photographers Workshop (TPW), Toronto, Canada Curators: Blake Fitzpatrick | Robert Del Tredici |
1994 | Nuclear Half-Century: Witnesses Testify Hiroshima Peace Museum, Hiroshima Peace Park, Hiroshima, Japan Curators: Takashi Hiraoka (Hiroshima Peace Culture Foundation) | Robert Del Tredici |
1991 | Nuclear Matters San Francisco Camera Works, San Francisco, California Curators: Tim Druckery | Marnie Gillett |
1990-1994 | Bombensicher – Erste Europäische Ausstellung der Atomic Photographers Guild Ein Ausstellungsprojekt des World Uranium Hearing Curators: Robert Del Tredici | Albert KunzeGalerie des Jugend-und Kulturzentrums Mitte Werkstatt und Kultur, Stuttgart, Germany,1994 1992, Infostelle Garow: Kreishaus Lüchow: Kirche Danneberg, Lüchow-Danneberg, Germany 1992, Bürgerhaus, Dreieich, Germany 1992, Haus der Kulturen der Welt, Berlin Kongreßhalle, Berlin, Germany 1992, Wolf-Dietrich-Halle in Schloß Mirabell, Salzburg, Austria 1992, Stadtbibliothek, Itzeboe, Germany 1992, Soziokulturelles Zentrum Sudhaus, Tübingen, Germany 1992, Hnuti Duha, Prague, Czech 1992, Hnuti Duha, Paröubitz, Czech 1992, Hnuti Duha, Budweis, Czech 1992, Hnuti Duha, Brünn, Czech 1992, Hnuti Duha, Olmütz, Czech 1992, Hnuti Duha, Trebitsch, Czech 1992, Die Tschechientour wurde durchgefürt von der Umweltorganisation Anuti Duha in Brno, Rouchovany/Tschechion (Nähe AKW Doukovany), Czech 1992, Greenpeace/Belgien, Mol/Belgien, Stadtbücherei 1992, Stadtgalerie Saarbrücken, Germany 1991, Niedersächsisches Orweltainisterium, Hannover, Landtag 1991, SPD-Ortsverband, Rotenburg/Wumme (bei Bresen), Rathaus 1991, United Nations Foyer, Geneva, Switzerland 1991, Tagung der Partnerstädte von Hiroshima und Nagasaki, Rathaus, Kiel, W. Germany 1991, Weltkongreß der IPPNW, Messezentrum, Stockholm, Sweden 1991, Gauselfingen,WIR–Projekt, Germany 1991, Volkshochschule, Ulm, West Germany 1991, Volkshochschule, Munich, Germany 1990, Weltkongreß der NGOs, Paris, Kongreßzentrum 1990, Women’s Museum, Bonn, Germany 1990, IPPNW-Kongreß, Beethovenhalle, Bonn, Germany 1990, Rathaus, Kiel, W. Germany, 1990, Neue Gesellschaft für bildende Kunst, Berlin, Germany |
1988 | The Atomic Photographers Guild: Second International Exhibition International Physicians for the Prevention of Nuclear War World Congress Place Bonaventure, Montreal, Canada Curator: Robert Del Tredici |
1987 | The Atomic Photographers Guild: First International Exhibition New York Open Center, New York, NY, USA Curators: Robert Del Tredici | Harris Fogel | Carole Gallagher |
2019 | Nuclear Visions: The Atomic Photographers Guild John and June Allcott Gallery, Chapel Hill, University of North Carolina Curators: elin o’Hara slavick and Robert Del Tredici |
2015 | Behind the Atom Curtain: Life and Death in the Nuclear Age National Labour Party Conference Fringe Program, Melbourne Convention Centre Melbourne, Australia |
2015 | Atomic Photographers Guild Hiroshima Bank, Hiroshima, Japan |
2015 | Hiroshima-Nagasaki: Seventy Years Beyond the Bombings University of Missouri-Kansas City (UMKC) “Photos of the Nuclear Age,” presented by Robert Del Tredici, October 4, 2015, Pierson Auditorium in the UMKC Atterbury Student Success Center |
2015 | Nuclear Photographs Uranium Film Festival, Quebec, Canada |
2012 | Behind the Atom Curtain: Life and Death in the Nuclear Age The Good Shepherd Center, Seattle, WA, USA |
2012 | Behind the Atom Curtain: Life and Death in the Nuclear Age The Rocky Flats Cold War Museum, Arvada, CO, USA |
2012 | Behind the Atom Curtain: Life and Death in the Nuclear Age 2012 International Uranium Film Festival, Museum of Modern Art Rio De Janeiro, Brazil |
2012 | Behind the Atom Curtain: Life and Death in the Nuclear Age A monumental showcase of photography by over sixty photographers from fifteen countries at the Midland Railway Workshops, Perth, Western Australia |
2011 | Behind the Atom Curtain: Life and Death in the Nuclear Age Sala Terrena, Heiligenkreuzehof, Vienna |
2011 | Behind the Atom Curtain: Life and Death in the Nuclear Age Sol Mednick Gallery, University of the Arts, Philadelphia, PA, USA Curators: Robert Del Tredici | Harris Fogel |
2010 | The Face of the Nuclear Age Nuclear Free Future Awards, Great Hall of Cooper Union, New York, NY, USA |
2010 | The Bomb Among Us International Physicians for the Prevention of Nuclear War World Congress Kollegienhaus, University of Basel, Switzerland Curator: Robert Del Tredici |
2006 | Nuclear Time Bomb: 20 Years After Chernobyl and the Atomic Photographers Guild International Physicians for the Prevention of Nuclear War World Congress Friedenskooperative, Bonn, Germany Curator: Robert Del Tredici |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era Museum London, London, Canada Curator: Robert Del Tredici |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era Anna Leonowens Gallery, Nova Scotia College of Art and Design, Halifax, Canada Curator: Robert Del Tredici |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era Diefenbunker: Canada’s Cold War Museum, Carp, Canada Curator: Robert Del Tredici |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era The Art Gallery of Peterborough, Peterborough, Canada |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era The Toronto Photographers Workshop (TPW), Toronto, Canada Curators: Blake Fitzpatrick | Robert Del Tredici |
1994 | Nuclear Half-Century: Witnesses Testify Hiroshima Peace Museum, Hiroshima Peace Park, Hiroshima, Japan Curators: Takashi Hiraoka (Hiroshima Peace Culture Foundation) | Robert Del Tredici |
1991 | Nuclear Matters San Francisco Camera Works, San Francisco, California Curators: Tim Druckery | Marnie Gillett |
1990-1994 | Bombensicher – Erste Europäische Ausstellung der Atomic Photographers Guild Ein Ausstellungsprojekt des World Uranium Hearing Curators: Robert Del Tredici | Albert KunzeGalerie des Jugend-und Kulturzentrums Mitte Werkstatt und Kultur, Stuttgart, Germany,1994 1992, Infostelle Garow: Kreishaus Lüchow: Kirche Danneberg, Lüchow-Danneberg, Germany 1992, Bürgerhaus, Dreieich, Germany 1992, Haus der Kulturen der Welt, Berlin Kongreßhalle, Berlin, Germany 1992, Wolf-Dietrich-Halle in Schloß Mirabell, Salzburg, Austria 1992, Stadtbibliothek, Itzeboe, Germany 1992, Soziokulturelles Zentrum Sudhaus, Tübingen, Germany 1992, Hnuti Duha, Prague, Czech 1992, Hnuti Duha, Paröubitz, Czech 1992, Hnuti Duha, Budweis, Czech 1992, Hnuti Duha, Brünn, Czech 1992, Hnuti Duha, Olmütz, Czech 1992, Hnuti Duha, Trebitsch, Czech 1992, Die Tschechientour wurde durchgefürt von der Umweltorganisation Anuti Duha in Brno, Rouchovany/Tschechion (Nähe AKW Doukovany), Czech 1992, Greenpeace/Belgien, Mol/Belgien, Stadtbücherei 1992, Stadtgalerie Saarbrücken, Germany 1991, Niedersächsisches Orweltainisterium, Hannover, Landtag 1991, SPD-Ortsverband, Rotenburg/Wumme (bei Bresen), Rathaus 1991, United Nations Foyer, Geneva, Switzerland 1991, Tagung der Partnerstädte von Hiroshima und Nagasaki, Rathaus, Kiel, W. Germany 1991, Weltkongreß der IPPNW, Messezentrum, Stockholm, Sweden 1991, Gauselfingen,WIR–Projekt, Germany 1991, Volkshochschule, Ulm, West Germany 1991, Volkshochschule, Munich, Germany 1990, Weltkongreß der NGOs, Paris, Kongreßzentrum 1990, Women’s Museum, Bonn, Germany 1990, IPPNW-Kongreß, Beethovenhalle, Bonn, Germany 1990, Rathaus, Kiel, W. Germany, 1990, Neue Gesellschaft für bildende Kunst, Berlin, Germany |
1988 | The Atomic Photographers Guild: Second International Exhibition International Physicians for the Prevention of Nuclear War World Congress Place Bonaventure, Montreal, Canada Curator: Robert Del Tredici |
1987 | The Atomic Photographers Guild: First International Exhibition New York Open Center, New York, NY, USA Curators: Robert Del Tredici | Harris Fogel | Carole Gallagher |
2019 | Nuclear Visions: The Atomic Photographers Guild John and June Allcott Gallery, Chapel Hill, University of North Carolina Curators: elin o’Hara slavick and Robert Del Tredici |
2015 | Behind the Atom Curtain: Life and Death in the Nuclear Age National Labour Party Conference Fringe Program, Melbourne Convention Centre Melbourne, Australia |
2015 | Atomic Photographers Guild Hiroshima Bank, Hiroshima, Japan |
2015 | Hiroshima-Nagasaki: Seventy Years Beyond the Bombings University of Missouri-Kansas City (UMKC) “Photos of the Nuclear Age,” presented by Robert Del Tredici, October 4, 2015, Pierson Auditorium in the UMKC Atterbury Student Success Center |
2015 | Nuclear Photographs Uranium Film Festival, Quebec, Canada |
2012 | Behind the Atom Curtain: Life and Death in the Nuclear Age The Good Shepherd Center, Seattle, WA, USA |
2012 | Behind the Atom Curtain: Life and Death in the Nuclear Age The Rocky Flats Cold War Museum, Arvada, CO, USA |
2012 | Behind the Atom Curtain: Life and Death in the Nuclear Age 2012 International Uranium Film Festival, Museum of Modern Art Rio De Janeiro, Brazil |
2012 | Behind the Atom Curtain: Life and Death in the Nuclear Age A monumental showcase of photography by over sixty photographers from fifteen countries at the Midland Railway Workshops, Perth, Western Australia |
2011 | Behind the Atom Curtain: Life and Death in the Nuclear Age Sala Terrena, Heiligenkreuzehof, Vienna |
2011 | Behind the Atom Curtain: Life and Death in the Nuclear Age Sol Mednick Gallery, University of the Arts, Philadelphia, PA, USA Curators: Robert Del Tredici | Harris Fogel |
2010 | The Face of the Nuclear Age Nuclear Free Future Awards, Great Hall of Cooper Union, New York, NY, USA |
2010 | The Bomb Among Us International Physicians for the Prevention of Nuclear War World Congress Kollegienhaus, University of Basel, Switzerland Curator: Robert Del Tredici |
2006 | Nuclear Time Bomb: 20 Years After Chernobyl and the Atomic Photographers Guild International Physicians for the Prevention of Nuclear War World Congress Friedenskooperative, Bonn, Germany Curator: Robert Del Tredici |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era Museum London, London, Canada Curator: Robert Del Tredici |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era Anna Leonowens Gallery, Nova Scotia College of Art and Design, Halifax, Canada Curator: Robert Del Tredici |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era Diefenbunker: Canada’s Cold War Museum, Carp, Canada Curator: Robert Del Tredici |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era The Art Gallery of Peterborough, Peterborough, Canada |
2001 | The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era The Toronto Photographers Workshop (TPW), Toronto, Canada Curators: Blake Fitzpatrick | Robert Del Tredici |
1994 | Nuclear Half-Century: Witnesses Testify Hiroshima Peace Museum, Hiroshima Peace Park, Hiroshima, Japan Curators: Takashi Hiraoka (Hiroshima Peace Culture Foundation) | Robert Del Tredici |
1991 | Nuclear Matters San Francisco Camera Works, San Francisco, California Curators: Tim Druckery | Marnie Gillett |
1990-1994 | Bombensicher – Erste Europäische Ausstellung der Atomic Photographers Guild Ein Ausstellungsprojekt des World Uranium Hearing Curators: Robert Del Tredici | Albert KunzeGalerie des Jugend-und Kulturzentrums Mitte Werkstatt und Kultur, Stuttgart, Germany,1994 1992, Infostelle Garow: Kreishaus Lüchow: Kirche Danneberg, Lüchow-Danneberg, Germany 1992, Bürgerhaus, Dreieich, Germany 1992, Haus der Kulturen der Welt, Berlin Kongreßhalle, Berlin, Germany 1992, Wolf-Dietrich-Halle in Schloß Mirabell, Salzburg, Austria 1992, Stadtbibliothek, Itzeboe, Germany 1992, Soziokulturelles Zentrum Sudhaus, Tübingen, Germany 1992, Hnuti Duha, Prague, Czech 1992, Hnuti Duha, Paröubitz, Czech 1992, Hnuti Duha, Budweis, Czech 1992, Hnuti Duha, Brünn, Czech 1992, Hnuti Duha, Olmütz, Czech 1992, Hnuti Duha, Trebitsch, Czech 1992, Die Tschechientour wurde durchgefürt von der Umweltorganisation Anuti Duha in Brno, Rouchovany/Tschechion (Nähe AKW Doukovany), Czech 1992, Greenpeace/Belgien, Mol/Belgien, Stadtbücherei 1992, Stadtgalerie Saarbrücken, Germany 1991, Niedersächsisches Orweltainisterium, Hannover, Landtag 1991, SPD-Ortsverband, Rotenburg/Wumme (bei Bresen), Rathaus 1991, United Nations Foyer, Geneva, Switzerland 1991, Tagung der Partnerstädte von Hiroshima und Nagasaki, Rathaus, Kiel, W. Germany 1991, Weltkongreß der IPPNW, Messezentrum, Stockholm, Sweden 1991, Gauselfingen,WIR–Projekt, Germany 1991, Volkshochschule, Ulm, West Germany 1991, Volkshochschule, Munich, Germany 1990, Weltkongreß der NGOs, Paris, Kongreßzentrum 1990, Women’s Museum, Bonn, Germany 1990, IPPNW-Kongreß, Beethovenhalle, Bonn, Germany 1990, Rathaus, Kiel, W. Germany, 1990, Neue Gesellschaft für bildende Kunst, Berlin, Germany |
1988 | The Atomic Photographers Guild: Second International Exhibition International Physicians for the Prevention of Nuclear War World Congress Place Bonaventure, Montreal, Canada Curator: Robert Del Tredici |
1987 | The Atomic Photographers Guild: First International Exhibition New York Open Center, New York, NY, USA Curators: Robert Del Tredici | Harris Fogel | Carole Gallagher |
PUBLICATIONS
Selected Publications (books, essays, articles, reviews) by and about members of the Atomic Photographers Guild.
Baillargeon, Claude (author) McMillan, David (photographer). Growth and Decay: Pripyat and the Chernobyl Exclusion Zone Göttingen, Germany: Steidl, 2019.
Conley, Christine. Material, Trace, Trauma: Notes on some recent acquisitions at the Canadian War Museum and the Legacy of WWII Canadian Military History Journal, Vol. 26, No. 1, Winter 2017. 1–19.
Crnkovich, James and Robert Del Tredici. Atomic America. 2017.
Cuthbertson, Christina. “The Book Unbound.” Daughters of Uranium: Mary Kavanagh. Canada: Southern Alberta Art Gallery, 2020. 101–112.
Decamous, Gabrielle. Invisible Colors: The Arts of the Atomic Age. Cambridge, United States: MIT Press, 2018.
Delevigne, Lionel and Anna Gyorgy. To the Village Square: From Montague to Fukushima: 1975–2014. Prospectus Press, 2014.
Del Tredici, Robert. The People of Three Mile Island. First Edition. San Francisco: Random House, 1982.
Del Tredici, Robert. At Work in the Fields of the Bomb. New York, United States: Harper & Row, 1987.
Del Tredici, Robert. “Romancing the Atom.” Northern Lights VI (I): 22–25, 1990.
Del Tredici, Robert. “Romancing the Atom.” Views: The Journal of Photography in New England, 10:3, 3–6. 1989.
Del Tredici, Robert. “The Atomic Photographers Guild.” Nuclear Matters. San Francisco: Camera Works, 1991.
Del Tredici, Robert. “Trinity: Fifty Years After.” Creative Camera (June-July), 1995.
Elkins, James (author), elin o’Hara slavick (photographer). After Hiroshima. Chapel Hill: Daylight Books, 2013.
Paul Dosh (author) and James Lerager (photographer). Demanding the Land: Urban Popular Movements in Peru and Ecuador, 1990–2005. Penn State University Press, 2010.
Fields, Alison. “The Atomic Photographers Guild: Witnessing Nuclear Legacies.” In Discordant Memories: Atomic Age Narratives and Visual Culture. 129–70. Norman, United States: University of Oklahoma Press, 2020.
Merilyn Fairskye ‘In/Visible’, Unlikely – Journal for Creative Arts, issue 05
Fitzpatrick, Blake and Jonathan Bordo (eds). Place Matters, “Hibakujumaku,” (by Katy McCormick). Proceeds from the International Conference of Critical Topography: Investigations of Landscapes. Montréal: McGill-Queen’s University Press, 2022 (in press).
Fitzpatrick, Blake. “Mary Kavanagh: Embodied Politics | La politique incarnée.” Ciel Variable: Art Photo Médias Culture, Montréal, Spring-Summer 2020 Issue. 32–41.
Fitzpatrick, Blake, and Robert Del Tredici. “Port Hope in the Era of Nuclear Waste.” Through Post-Atomic Eyes, Claudette Lauzon and John O’Brian (eds). Montréal: McGill-Queen’s University Press, 2020. 46–64.
Fitzpatrick, Blake. “From Above: Critical Distance, Aerial Views, and Counter-Images.” Critical Distance in Documentary Media, Gerda Cammaer, Blake Fitzpatrick, Bruno Lessard (eds). London: Palgrave Macmillan, 2018. 129–148.
Fitzpatrick, Blake. “Atomic Photographs Below the Surface.” John O’Brian (ed). Camera Atomica, The Art Gallery of Ontario and Black Dog Press, 2015. 164–179.
Fitzpatrick, Blake. “Atomic Photographs in a Fallout Shelter,” The Cultural Work of the Photograph in Canada. Andrea Kunard and Carol Payne (eds). McGill–Queens University Press, Montréal, 2011. 195–211.
Fitzpatrick, Blake. “Atomic Afterimages.” History of Photography, 32 (2): 2008. 176–87.
Fitzpatrick, Blake. “Disaster Topographics.” Image and Inscription: An Anthology of Contemporary Canadian Photography. Robert Bean (ed). Toronto: Gallery 44 and YYZ Books, 2005. 53–63.
Fitzpatrick, Blake. “Archival Strategies at Work.” Fuse, Volume 27, Number 3, Sep 2004.
Fitzpatrick, Blake. “Making Visible: Photography, Witnessing and the Nuclear Era.” Ph.D., Canada: University of Toronto Press, 2002.
Fitzpatrick, Blake. Visibility and Invisibility in the Nuclear Era. Toronto, Canada: The Toronto Photographers Workshop, 2001.
Fitzpatrick, Blake. Uranium Landscapes. The Art Gallery of Peterborough, 2000.
Gallagher, Carole. “Thank you, Mr. Avedon.” Filling the Hole in the Nuclear Future. Robert Jacobs (ed). Lanham, Maryland: Lexington Books, 2010.
Gallagher, Carole. American Ground Zero: The Secret Nuclear War. Random House, 1994.
Goin, Peter and Michon Mackedon. Bombast: Spinning Atoms in the Desert. Nevada: Black Rock Institute Press, 2010.
Goin, Peter. Nuclear Landscapes (Creating the North American Landscape). Maryland: John Hopkins University Press, 1991.
Halden, Grace. Three Mile Island: The Meltdown Crisis and Nuclear Power in American Popular Culture. Critical Moments in American History: Routledge Press, 2017.
Hepner, Abbey. The Light at the End of History, Daylight Books, 2021
Higuchi, Kenji. Photo Document: Japan’s Nuclear Power Plants. Tokyo, Japan: Origin, 1979.
Kostin, Igor, and Thomas Johnson. Chernobyl: Confessions of a Reporter. Brooklyn, United States: Umbrage Editions, 2006.
Lauzon, Claudette and John O’Brian (eds). Through Post-Atomic Eyes. Canada: McGill-Queens University Press, 2020.
Matsushige, Yoshito. Atomic Bomb Photo Testament: A Collection of Photographs By the Photographers Who Survived the Bombing in Hiroshima, 1996.
Nagatani, Patrick, Desire for Magic: Patrick Nagatani 1978–2008. Albuquerque: University of New Mexico Press, 2010.
Nagatani, Patrick. Nuclear Enchantment. Albuquerque: University of New Mexico Press, 1991.
O’Brian, John. The Bomb in the Wilderness: Photography and Nuclear Experience in Canada. Vancouver: UBC Press, 2020.
O’Brian, John (ed). Camera Atomica: Photographing the Nuclear World. London, U.K.: Black Dog Publishing, 2014.
O’Brian, John. “Mary Kavanagh: Atomic Suite.” BorderCrossings, Volume 31, No. 4, Issue No. 124, 2012.
Reckitt, Helena, Paul Shambroom Picturing Power. Minneapolis: Weisman Art Museum, University of Minnesota).
Ruwedel Mark. Mark Ruwedel, Toronto: Steidl/Scotiabank, 2015.
Ruwedel Mark. The Italian Navigator. Toronto and Montréal: Art 45, Stephen Bulger Gallery and Galarie Francoise Paviot, 2000.
Ruwedel Mark. The Hanford Stretch. Vancouver, 1993.
Sharman, Lindsey V. “ | Flu | War | Breath | Cloud | . ” Daughters of Uranium: Mary Kavanagh. Canada: Southern Alberta Art Gallery, 2020. 133–137.
Sharman, Lindsey V. “Constituent Parts: Recent Portraiture in Canadian Military Art.” Canadian Military History Journal, Vol. 26: Issue 1, Winter 2017. 1–27.
Shambroom, Paul. Face to Face with the Bomb: Nuclear Reality after the Cold War. Maryland: John Hopkins University Press, 2003.
slavick, elin o’Hara. Colorado Nuclear Atlas, “Dark Archive” , January 14, https://www.coloradonuclearatlas.org/artwork/dark-archive/artwork (project by Sarah Kanouse) 2023
slavick, elin o’Hara. Toxic Immanence: Decolonizing Nuclear Legacies and Futures, edited by Livia Monnet, image featured in “Lingering Radiation: On Violent Pasts and Open-Ended Futures,” Ruby De Vos, pp. 282-287; “Inheritance: Radiant Reflections from Hiroshima, Nagasaki, and Fukushima: 20 poems by Bo Jacobs for 20 Photographs by elin o’Hara slavick,” pp. 383-423, McGill-Queen’s University Press, Canada, https://www.mqup.ca/toxic-immanence-products-9780228011361.php, 2022
slavick, elin o’Hara. Drone Imaginaries: The Power of Remote Vision, edited by Andreas Immanuel Graae and Kathrin Maurer, Manchester University Press, UK, cover image and p. 32, https://www.manchesterhive.com/display/9781526145949/9781526145949.xml, 2021
slavick, elin o’Hara. Holding History in Our Hand, limited edition artist book from the Peace Resource Center Archive. on the occasion of the 75th memorial of Hiroshima and Nagasaki for Wilmington College’s Annual Westheimer Peace Symposium and Response Project, USA, https://www.blurb.com/b/10237191-holding-history-in-our-hand, 2020
slavick, elin o’Hara. Burnaway, “On Hiroshima: Q&A with elin o’Hara slavick”, Amy White, August 4, https://burnaway.org/magazine/temporal-rupture-performativity-artist-surrogate-responder-conversation-elin-ohara-slavick/, 2014
slavick, elin o’Hara. The Asia-Pacific Journal, “After Hiroshima: an interview with elin o’Hara slavick,” Amy White, Volume 11, Issue 19 No. 3, May 13, https://apjjf.org/2013/11/19/elin-oHara-slavick/3940/article.html, 2013
slavick, elin o’Hara. Spectrum, journal of the Comprehensive Nuclear-Test-Ban Treaty Organization, Vienna, Austria, https://www.ctbto.org/resources/information-materials/spectrum, 2013
slavick, elin o’Hara. The Journal of Cultural Studies, Routledge, Vol. 26, Numbers 1-6, cover images, https://www.tandfonline.com/toc/rcus20/26/6?nav=tocList, 2012
slavick, elin o’Hara. After Hiroshima, bilingual monograph of my work, essay by James Elkins, Daylight Books, NY, https://daylightbooks.org/products/elin-ohara-slavick-after-hiroshima , 2013
slavick, elin o’Hara. The Asia-Pacific Journal, “Art, Politics, Memory, and Language in A Measure of Remorseand Protesting Cartography – Places the U.S. has Bombed: A Conversation between Artists Hong-An Truong and elin o’Hara slavick, https://apjjf.org/-elin-o’Hara-slavick/3393/article.html, 2010
slavick, elin o’Hara. The Asia-Pacific Journal, “Hiroshima: A Visual Record,” elin o’Hara slavick, Vol. 30-3-09, https://apjjf.org/-elin-o’Hara-slavick/3196/article.html, 2009
slavick, elin o’Hara. Bomb after Bomb: A Violent Cartography, monograph of my work with essays by Howard Zinn, Carol Mavor, and Catherine Lutz, Charta Art Books, Milan, Italy, https://www.abebooks.com/9788881586332/Bomb-after-Violent-Cartography-Elin-8881586339/plp, 2007
Taylor, Bryan C. “Nuclear Pictures and Metapictures,” American Literary History. 9 (3), Fall, 1997.
Taylor, N.A.J. 2017a “An Ecology of Antipodean Nuclear Art,” 26. University of Montréal, Montréal, Canada, 2017.
Taylor, N.A.J. 2017b. “An Ecology of Antipodean Nuclear Art.” Cultural Enquiry Research Group, 25. Federation University, Ballarat, Australia.
Taylor, N.A.J. 2018. “Situated Nuclear Knowledges: An Ecology of Antipodean Nuclear Art.” Unlikely: Journal for Creative Arts, no. 5: 13.
Taylor, N.A.J. 2019a. “The Visual Politics of Oceanic Nuclear Colonialism.” Philosophical Foundation and Historical Circulation of Ideas in Nuclear Disarmament Conference. Paris, France.
Taylor, N.A.J. 2019b. “Pam Debenham’s Antipodean Nuclear Feminism,” 25. California, U.S.
Taylor, N.A.J. 2019c. “(In)Visibility and Oceanic Nuclear Art: The Figure of Biological Life, the Mushroom Cloud Motif, and Experiential Nuclear Knowledges.” Ecology and New Materialism in Process, 10. Canberra, Australia: Environment and Governance Research Group, University of New South Wales.
Taylor, N.A.J. 2020. “The Visual Politics of Maralinga: (Re)Presentations, Vulnerabilities and Experiences.” Journal of the History of Biology.
Taylor, N.A.J., Paul Brown, and Ellise Barkley (eds). 2018a. “Special Issue: Reimagining Maralinga.” Unlikely: Journal for Creative Arts, 2000.
Taylor, N.A.J. 2018b. “Why Reimagine Maralinga?” Unlikely: Journal for Creative Arts. no. 4: 3 [Online].
Taylor, N.A.J., and Robert Jacobs. 2015. “Editorial: Re-Imagining Hiroshima.” Critical Military Studies. 1 (2): 99–101.
van Wyck, Peter C. “Reading the Remains.” Daughters of Uranium: Mary Kavanagh. Canada: Southern Alberta Art Gallery, 2020. 45–53.
van Wyck, Peter C. The Highway of the Atom. Canada: McGill-Queens University Press, 2010.
van Wyck, Peter C. Signs of Danger: Waste, Trauma, and Nuclear Threat. Vol. 26. Minneapolis: University of Minnesota Press, 2005.
van Wyck, Peter C. Primitives in the Wilderness: Deep Ecology and the Missing Human Subject. Albany: State University of New York Press, 1997.
Wilkinson, Jayne. “A Radioactive Domestic.” Daughters of Uranium: Mary Kavanagh. Canada: Southern Alberta Art Gallery, 2020. 73–83.